New editing gig

I'm proud to announce that I'm the new blog editor for Loconeal Publishing. Loconeal publishes and promotes the work of Ohio authors, and has plans to expand in the coming year. I'm excited for the opportunity to work with this awesome small press, and looking forward to start a dialogue there with readers, writers, and fans. Please stop by and say hi.

New spec fic mag/Recondite Curiosa

My short story Recondite Curiosa is featured in the inaugural online issue of Title Goes Here. Have a look.

New Story!

Recondite Curiosa will appear in the inaugural online issue of Title Goes Here later this week (hopefully). I'll provide a link as soon as it's up.

Nano Slutting

I have a confession: I'm a writing slut. I try to devote myself to one project, but it just doesn't work. A shiny new idea comes into view, and I chase it down and tackle it like a satyr at a frat party.

Case in point: I've been editing my second novel, a process that's taken far, far too long. I started strong; fresh from a whirlwind first draft, I was going to settle down and make an honest manuscript of him. But then one day stretched into the next monotonous day. He was unwieldy and boring. I began to lose my passion, fearing we were heading for a separation.

Then a new player appeared on the scene: Nanowrimo. I thought to myself, I shouldn't succumb to temptation. Sure, he's sleek and exciting. But I'm devoted to my novel who, while boring right now, has the chance to blossom.

Just an off-word, I told myself. I won't really cheat; just a blurb here, a plot twist there. I can keep my distance. Of course I gave in. Now Nano and I are sloppy kissing, ready to go to the next level on November first.

But then, a funny thing happened with Novel. Instead of turning from him, I found my passion renewed. New phrases for the next chapter nearly rewrote themselves. I began polishing page after page, empowered by a flame I haven't felt in months. Before I took the plunge with Nano, I felt guilty; dirty. But now, we're all the better for it.

If you desire fresh literary lust in your life, check out Nanowrimo now. You too can join the worldwide frenzy and write a novel in a month. And you may find that it rekindles the flagging embers of an old project as well.

Also, Nanowrimo runs numerous programs for young and budding offers. Even if you're not participating, consider contributing some cash.

Nanowrimo is for slowpokes

I just found out about the 3-day novel contest via Nephele Tempest's blog. Veterans of Nanowrimo attempt to write a novel in a month. (Full disclosure: I've attempted Nano twice and never reached the 50,000 word mark in 30 days.) The one-month novel is an challenging first draft adventure. The three-day novel contest borders on clinical insanity.

Like Nano, the 3-day contest takes place over a set period of time every year, specifically Labor Day weekend. The rules are simple: 1) Register; 2) Write a novel in 3 days; 3) Submit your novel. You may prepare an outline in advance, but cannot write a word of text until Saturday at 12:01. No editing after the marathon weekend is permitted. The winning entry receives a publishing contract via 3-Day Books (after the novel is edited). Second and third places receive cash prizes.

While length is not specified, the contest administrators note that entries average about 100 pages. Length is a factor in judging, but it is not the only factor. Since writers have no chance for editing or over-thinking, raw writing is what matters. And the contest administrators say they can tell if you cheat.

I'm tempted at the notion; I've had an idea for another story floating around in my head for a while. Unfortunately, I have an out-of-town wedding to attend that weekend, and such an undertaking requires 72 hours of unswerving dedication.

If anyone is nuts enough to give this a try, please let me know how it goes.

"You cut my semicolon...I want a divorce!"

This evening the Central Ohio SCBWI got a double treat. Two acclaimed authors, Gary Braunbeck and Lucy Snyder, shared some insights on collaborative writing. They have a special concern in terms of joint writing projects: they’re also married. They gave an informative (and amusing) presentation entitled “You cut my semicolon…I want a divorce!”

Lucy and Gary talked first about the benefits of collaborative writing in general. As Gary pointed out, a writing partner is especially helpful when working under a tight deadline. On one occasion an anthology editor asked him if he could produce a story in four days. Gary and Lucy working together were able to meet the challenge and create a compelling tale.

A fresh viewpoint is also useful when one party can’t decide which way to go with a given work. Maybe one person has a developed beginning, or a strong middle, but can’t decide whose story it is. In these cases, an outside perspective can illuminate and clarify the story.

Lucy pointed out that marriage brings unique challenges to collaborating writers. For example, when both are pounding out words under deadline, who has to clean the litter box? There can also be clashes over creative issues. When one of them is having a tough time, it’s difficult for the other to remain unaffected. Arguments might also arise over who gets time to work on creatively fulfilling projects while the other has to bring in a paycheck. Jealousy and egos can also come into play.

But they were quick to point out that marriage has its benefits, too. They never have to schedule a meeting to brainstorm; it can happen in the hallway or over laundry. They also share the bond of empathy. When Gary’s having trouble, Lucy can empathize, and vice versa. Being married to another writer allows them to share that understanding about the joys and frustrations of the creative process.

If you get a chance to work with either Gary or Lucy, I would recommend it; both are fonts of writing knowledge, and entertaining as well. As luck would have it, both will also be at Context this year. Context is an intimate convention for readers and writers of speculative fiction. I’ll be there, and I highly recommend it. While online registration is now closed, you can still register at the door. It takes place in Columbus, Ohio, August 27-29. More information is here.

Revision hell

Some writers love the second draft. Having laid down the raw clay of the story, they revel in forming the loose contours into a clearly recognizable form, then moving beyond to craft it into a breathtaking final piece.

I am not one of those writers.

Last week marked the end of the first draft of a novel. Since then I've been in recovery, mooning about, staring at walls, wondering where to go from here. I've started research for a new short story that I'm eager to burst into; also, I've been leafing through this book, trying to internalize some tips. When I'm ready to revise (probably later this week), hopefully some useful advice will remain stuck inside me, and I'll be able to unstick it.

In the meantime, does anyone have any preferred revision techniques? Do you do multiple targeted revisions: once for characterization, once for tension, etc.? Or do you go in for the one-pass technique? Or maybe you're hardcore like Heinlein, and never rewrite unless an editor demands it.

Thoughts?

[ETA: Link to Heinlein's Rules for Writing]